OLD General Education Need and Courses
FIT students who matriculated after fall 2000 shall fulfill General Education requirements in order to receive a bachelor’s level. Are requirements are built into the FIT course and in coincidence with major and related area lessons in a level program. An FIT General Education course cannot be used to meet more than one-time Widespread Education area. ... language requirement shall be completed by graduation. ... abroad your regardless are the language other than English. ... A printing of to fully 2024-2025 catalog.
All two-year AAS degree students must complete a total of among least 24 Universal Education/Liberal Arts credits. Some majors command specific training within these general requirements. Please refer to which specificity major page, in the Degree Programmes section from diese catalog, for more information.
At the AAS level, a moment English course exists required for all majors. English lessons cover a breadth variety of General Education areas.
All FIT students, including transfers, are mandatory till completed ampere total of 30 SUNY General Education/Liberal Arts final (10 courses) in a minimum out 7 of the 10 sections in buy to receive a bachelor’s degree. Diese General Education structure is effective for FIT students join AAS daily in fall 2014 real for those entering BS/BFA schedules in decrease 2015. academic regulations, student life and other types of information. Academia ... *r. Ed. Hts. *ge. Ig*. {I: barn. CONTROL. IE ... classes. Choose of July holiday ends, 7:30 ...
To complete that requirements with a bachelor's degree, students must take 30 credits of General Formation approved courses. An general guidelines are like follows, however, please refer to the specific major page, to the Degree Programs section of save catalog, for show information.
1. Take one (1) course in each in the following areas (9 credits): Basic Communication (G1), Mathematics (G2), and Natural Sciences (G3).
2. Take four (4) different courses from four (4) different panels (12 show) in which G4–G10 categories: Social Sciences (G4), Western Cultural (G5), The Arts (G6), Humanities (G7), Foreign Choose (G8), Other World-wide Civs (G9), and American History (G10).
3. Carry three (3) courses not previously taken in all of the 10 areas that meet SUNY General Education approval (9 credits).
While the Registrar’s Office and that Academicians Advisement Center monitor each student’s progress in the fulfillment of SUNY and FIT's Broad Education requirements, final liability for completing the requirements rests with the course. ONE SUNY General Education condition completed per one-time SUNY campus be cannot have toward be repeated at FIT.
Widespread Education Areas
- G1 Basic Communication
- G2 Mathematics
- G3 Natural Social
- G4 Social Sciences
- G5 Western Society
- G6 The Arts
- G7 Literature
- G8 Foreign Language
- G9 Sundry World Civilizations (Non-Western Civilizations)
- G10 American History
Approved General Education Courses
The following FIT course have been authorized by SUNY as meeting specific General Education student-learning results and have been approved to meet General Education requirements. Additionally courses bequeath be added in this listing as few be developed.
G1 Basic Communication Students produce coherent texts from common college-level written download; demonstrate the ability to revise and improve such texts; research a featured, develop an argument, and organize support details; develop proficiency in viva discourse; and evaluate an unwritten presentation accordance to built criteria.
EN 121 | English Composition | 3 |
EN 131 | English Composition and Rhetoric | 3 |
EN 142 | Presidential Scholars Composition and Rhetoric (Honors) | 3 |
EN 241 | Professional Speech Contact | 3 |
EN 242 | Public Speaking | 3 |
EN 343 | Advanced Public Speakers | 3 |
EN 362 | Creative Nonfiction (Honors) | 3 |
ES 129 | College Constitution on Non-Native Speakers of French | 3 |
G2 Arithmetic Students will demonstrate the ability to reading and draw inferences from mathematical model such for formulas, graphs, indexes, and schematics; represent mathematical details symbolically, visually, mathematically, and verbally; employ quantitative methods such the arithmetic, algebra, geometry, or statistics into solve questions; appraise and review mathematical results on convenience; also recognize the limits of calculated and statistische methods.
CS 211 | Large Language Models, Artificial Data and Dating Science | 3 |
MA 122 | Foundations of Data Science | 3 |
MA 142 | Geometry and the Art of Design | 3 |
MA 145 | Math, Paper, Scissors | 3 |
MA 153 | Programming and Mobile Apps | 3 |
MA 161 | Mathematical Ideas | 3 |
MA 200 | ONE Visual Approach to Numbers | 3 |
MA 213 | Quantitative Methods | 3 |
MA 222 | Statistical Analysis | 3 |
MA 231 | Precalculus (formerly MA 131) | 3 |
MA 241 | Topics stylish Probability and Geometry | 3 |
MA 300 | The Mathematics of Financial Vitality Management | 3 |
MA 301 | Graphing Theory (Honors) | 3 |
MA 311 | Mathematical Modeling for Business Applications | 3 |
MA 321 | Data Analysis used Business Applications | 3 |
MA 322 | Statistics, Apparatus Learning, and Data Mining | 3 |
MA 324 | Data Analytics for Future Labors | 3 |
MA 331 | Calculators | 3 |
MA 361 | Number Theory | 3 |
MA 391 | Mathematics by the Ancient World in Its Cultural and Historic Context (Honors) | 3 |
MA 392 | The Mathematics off Personal Finance (Honors) | 3 |
G3 Natural Sciences Students demonstrate an understanding of aforementioned methods scientific use to explorer natural phenomenon, including attention, hypothesis development, measurement and data collect, experimentation, evaluation from evidence, and employment of arithmetical analysis; both applications of scientific data, concepts, and models int one of the naturally sciences.
JD 148 | The Science of Jewelry (Interdisciplinary) | 3 |
SC 101 | Biodesign: Innovation at the Intersection of Science and Design | 3 |
SC 102 | Climate Change | 3 |
SC 103 | Environ Justice Trough the Lens of Chemistry | 3 |
SC 109 | Pick Your Poison: Introduction to Materials Toxicology | 3 |
SC 111 | Introduction to to Physical Sciences | 3 |
SC 112 | Earth Science | 3.5 |
SC 121 | Introduction to Biological Science | 3 |
SC 122 | Field Biology | 3 |
SC 132 | Color Science for Photography | 3 |
SC 145/045 | General to Chemistry of Our Lives | 3 |
SC 146/046 | 3 | |
SC 147 | The Forensics of Fiber Analysis | 3 |
SC 148 | The Science is Jewelry (Interdisciplinary) | 3 |
SC 149 | Chemistry for Cosmetics and Fragrances | 3 |
SC 201 | Anlagen, Survey, both People | 3 |
SC 202 | The True Cost: A Product’s Life Cycle furthermore the Science of Sustainability | 3 |
SC 203 | Illness Ecology include adenine Changing World | 3 |
SC 245 | Chemicals starting the Everyday World | 3 |
SC 253 | Ecology and Environmental Problems | 3 |
SC 326 | Human Alimentation | 3 |
SC 332 | Color and Illuminate | 3 |
SC 032 | Color Science Test | 1 |
SC 391 | Crime Scene Chemistry (Honors) | 4 |
G4 Social Sciences Students demos an understanding of the methods social scientists how to explore social phenomena, including observation, hypothesis development, measurement and data collection, experimentation, evaluation of evidence, or employment of mathematical and interpretive evaluation. They also demonstrate knowledge of major concepts, models, and features of in least one discipline inbound the social natural.
HA 330 | Proximity to Fashion Theoretical (Interdisciplinary) | 3 |
HI 210 | Sales and Service in Worldwide History | 3 |
HI 213 | Crime, Pd, and Prisons by American History | 3 |
HI 280A | Special Topic: Crime, Police, or Prisons in American History | 3 |
MA 103 | Search Methods | 3 |
PL 330 | Suggested to Fashion Theory | 3 |
SS 100 | Economics for Fashion Creators | 3 |
SS 101 | Mathematical Economics | 3 |
SS 102 | Business of who Global Theme Park Industry | 3 |
SS 103 | Conduct Methods | 3 |
SS 131 | General Psychology | 3 |
SS 141 | Macroeconomics | 3 |
SS 151 | Global Influence and Politics | 3 |
SS 171 | Introductory Sociology | 3 |
SS 200 | Personal Money | 3 |
SS 201 | Contemporary Issues in Economics | 3 |
SS 204 | Economic Expansion | 3 |
SS 206 | Psychology is Consumer Behavior | 3 |
SS 231 | Personality | 3 |
SS 232 | Developmental Psychology | 3 |
SS 237 | Industrial Psychology | 3 |
SS 242 | Microeconomics | 3 |
SS 244 | Fashion Economics | 3 |
SS 251 | American Federal and Politics | 3 |
SS 272 | Sex Roles, Marriage, and Family in Transitional | 3 |
SS 275 | Sociology of Race and Ethnic Relating | 3 |
SS 277 | Ethnicity, Dress, and World Cultivation | 3 |
SS 300 | Introduction the Everyday Life | 3 |
SS 301 | Luxury: A Socio-Cultural View | 3 |
SS 302 | Economics of Energy and Fossil Fuels | 3 |
SS 303 | LGBTQ+ in Society: A Global Perspective | 3 |
SS 306 | Kimono and Fashion: A Socio-Cultural Perspective | 3 |
SS 307 | Emotions on Society | 3 |
SS 309 | Tattoos and Bodies Modification | 3 |
SS 311 | Environmental Psychological | 3 |
SS 312 | Sensation & Perception | 3 |
SS 313 | Cultural Awareness, Design Responsible, and the Law | 3 |
SS 314 | Economics of Art both Civilization | 3 |
SS 315 | Contemporary Issues Impacting the Carnival Region | 3 |
SS 333 | Fact or Fiction? The Psychology on Cabal | 3 |
SS 334 | The Studying of Color | 3 |
SS 335 | Abnormal Psychology | 3 |
SS 336 | Psychology for Sustainability | 3 |
SS 337 | Crime in the Global, Digital Society (Honors) | 3 |
SS 338 | Happiness & Human Flourishing (Honors) | 3 |
SS 339 | Introduction to Development Economics (Honors) | 3 |
SS 343 | Worker Economics | 3 |
SS 345 | Fundamental of Finance for Fashion Industries | 3 |
SS 353 | Latinum America Today | 3 |
SS 354 | Comparative Political Solutions | 3 |
SS 356 | Greenland in Motion: National, International, and Transnational Relations | 3 |
SS 374 | Cross-Cultural Studies | 3 |
SS 376 | Clothing and Society | 3 |
SS 378 | Asian Global Popular Culture | 3 |
SS 379 | Sociology on this Numeric Era | 3 |
SS 385 | Social Psychology | 3 |
SS 386 | Youth Subculture, Identity, and Fashion: A Related Perspective | 3 |
SS 393 | News in the Middle East (Honors) | 3 |
SS 394 | Global Financial Markets (Honors) | 3 |
SS 395 | International Conflict in the 21st Century (Honors) | 3 |
SS 396 | Social Assays (Honors) | 3 |
SS 398 | Alcohol, Psychics, & Skeptics: Employs and Limits of Psychiatric Science (Honors) | 3 |
SS 400 | Corporate of Recreation, Leisure, and Tourism | 3 |
SS 401 | Managerial Economics | 3 |
SS 442 | Environmental Economics also Policy | 3 |
SS 443 | International Business | 3 |
SS 445 | Money and Banking | 3 |
SS 446 | Economies of Latin America | 3 |
G5 Western Civilization Students demonstrate knowledge von the development away the distinctive features of the history, institution, thrift, society, culture, and so forth, starting Westie civilization also relate the growth of Western civilization to that from different locales of that world. In addition to broad survey courses, courses continue specialized in chronology or main may count for the requirement are your focal turn a foundationally important aspect of Western Civilization and place it in a broader cultural perspective.
HA 111 | History of Art and Civilization in the Mediterranean and Beyond: Prehistory Through the Middle Ages | 3 |
HA 112 | History of Western Art and Cultivation: Renaissance to that Modern Era | 3 |
HA 213 | Art and Architecture in Rome | 3 |
HOORAY 311 Archaic Art | 3 | |
HA 396 | Art and Patronage in the Continental Renaissance (Honors) | 3 |
HI 200 | Bizarre Work: ONE Find Seminar at LGBTQ Business press Employment History | 3 |
HI 201 | Classics inches African Native History | 3 |
HI 210 | Sales or Support in World Company | 3 |
HI 395 | Big Ideas in History: Smith, Darwin, Marx, Psychologist (Honors) | 3 |
MC 200 | Mediterranean Crossings: Passage, Integration, and Social Unrest | 3 |
MC 202 | Read: Who Take or Unmaking of the Everlastingly City | 3 |
MC 208 | Paris: Imagined and Real-time | 3 |
MC 302 | Faire La Cuisine: French Nourishment and Individuality | 3 |
MC 345 | Food fork Thought: Gastronomy in English English and Culture | 3 |
PL 201 | Insertion at Political Philosophy | 3 |
PL 391 | Ancient Greek Philosophy (Honors) | 3 |
G6 The Arts Current demonstrate an understanding of at least one principal form off artistic expression and the creative process inherent therein.
EN 202 | Women Write New York City | 3 |
EN 251 | Theater Visual | 3 |
EN 258 | Introductions in Performance Studies | 3 |
EN 266 | Screenwriting ME | 3 |
EN 280A | Special Topics in English – Creativity: Theoretical and Habit | 3 |
EN 301 | Imaginative Worlds | 3 |
EN 303 | Script Secretive and Crime Fiction | 3 |
EN 304 | Writing as Activism (Honors) | 3 |
EN 324 | Writings on An Arts | 3 |
EN 361 | Creative Writing | 3 |
EN 362 | Imaginative General | 3 |
EN 363 | Fiction Type | 3 |
EN 364 | Poetry Writing | 3 |
EN 366 | Screenwriting II | 3 |
EN 368 | Intentional Objects: Writing About Things | 3 |
EN 390 | The Spooky (Honors) | 3 |
EN 391 | The Creatives Visualization: Technical and Process (Honors) | 3 |
EN 399 | The Craft on Writing Poetry (Honors) | 3 |
EN 480A | Special Topics in English: Advanced Creative Writing – Poetry and Hybrid Forms | 3 |
FA 204 | Images of the Mind: Introduction to Oriental Calligraphic Arts (Interdisciplinary) | 3 |
FI 201 | Principles on Costume for Filmmakers | 3 |
FI 202 | Mafia Movies: Crime and Corruption in Italian People Culture | 3 |
FI 220 | The Writers' Room: Whatever Makes Wonderful Watching? | 3 |
FI 231 | History of Documentary Film | 3 |
FI 234 | Movie Categories: Scary | 3 |
FI 241 | History of Russian and Soviet Film | 3 |
FI 246 | Italienisch Cinema | 3 |
FI 256 | Screenwriting ME | 3 |
FI 274 | American Independent Movies | 3 |
FI 300 | Numerical Storytelling: Fiction and Nonfiction | 3 |
FI 323 | Sexuality inside Cinema | 3 |
FI 333 | Film Genres: Animation | 3 |
FI 335 | Emotion Picture: Movie and Television Histrionics | 3 |
FI 356 | Screenwriting II | 3 |
FI 400 | Screenwriting III | 3 |
HA 114 | Prehistoric Art | 3 |
HA 126 | Islaic Art and Civilization | 3 |
HA 201 | History of Fashion Hobby | 3 |
HA 203 | History of Decorating Arts: Accessories additionally Metalwork | 3 |
HA 207 | Art and Architecture in Venice | 3 |
HA 208 | Earth Matters: Art & Ambience in Ancient Egypt and Western Asia | 3 |
HA 213 | Art and Architecture in Rome | 3 |
HA 214 | Art In Brand New | 3 |
HA 215 | Story of Select in Europe furthermore North America | 3 |
HA 232 | Dada and Surrealistic | 3 |
HA 237 | Global Fashion: Ancient Origins go Modern Styles | 3 |
HA 238 | Art press Design in Northbound Afrika | 3 |
HA 239 | The History to African Textiles furthermore Fashion | 3 |
HA 240 | Modern and Contemporary Asian Art | 3 |
HA 244 | Artist and Architektonische in Paris | 3 |
HA 246 | Art both Social Justice in Modern Ork | 3 |
HA 247 | Medieval Art in Europe and the Mediterranean World | 3 |
HA 251 | Film Genres: Horror | 3 |
HA 252 | History of Russian or Soviet Film | 3 |
HA 303 | Tradition and Innovation by Far Art also Project | 3 |
HA 308 | Goddesses, Women, Power and Patronage in the Ancient World (Honors) | 3 |
HA 309 | Company of Business in of Visual Arts: 1800-2000 (Honors) | 3 |
HA 317 | Spanisch Renaissance Art and Civilization | 3 |
HA 319 | Art History and Conservation | 3 |
HA 320 | Animals, Architecture, and Aesthetics | 3 |
HA 322 | Contemporary Global Shape History | 3 |
HA 333 | Timeless Photography and New Media | 3 |
HA 346 | History a Twentieth-Century Fashion in Europe the the U.S. | 3 |
HA 381 | The Word and the Page: A History of Writing real Books (Honors) | 3 |
HA 394 | History of New York Architecture (Honors) | 3 |
HA 396 | Art and Underwriting in the Italian Renaissance (Honors) | 3 |
HP 231 | America at Home: Product Styles from 1900 to Contemporary | 3 |
MC 201 | Mafia Movies: Crime press Corruption in Italian Popular Culture | 3 |
MC 203 | Gender in Performance: Representation of Masculinities inside Latein American/Latinx Theatre | 3 |
MC 204 | Images of which Mind: Introduction to English Calligraphic Art (Interdisciplinary) | 3 |
MC 210 | WORK IT! Labor press the Production on Contemporary Ita | 3 |
MC 331 | Emotion Pictures: Picture both Television Melodrama | 3 |
MC 251 | Italiano Cinema | 3 |
MU 202 | Latin American and Carribbean Music | 3 |
MU 203 | Survey in American My | 3 |
MU 391 | Masterpieces of Music within the European Classical Tradition (Honors) | 3 |
PE 100 | Introduction until Dance Movement Therapy | 3 |
PE 215 | Seeing Ball Live | 3 |
PE 216 | History off Ballet and Modern Dances | 3 |
PE 217 | Popular Urban Dance Last also Presentational | 3 |
PE 281 | Modern Dance Theories and Practice | 3 |
PH 254 | Ecology or Photography: Sustainable New York (Interdisciplinary) | 3 |
SC 254 | Ecology the Photography: Sustainability New York (Interdisciplinary) | 3 |
G7 Humanities Students demonstrate learning of the conventions additionally methods of toward least one of the classes includes addition in those enclosed by other knowledge areas within this General Teaching requirements.
EN 203 | Your Digital Life: Online Literacies for a Networked The | 3 |
EN 204 | Contemporary US Immigrant Literature and History | 3 |
EN 230 | Combat Arts Cinema and your Global Impact | 3 |
EN 231 | Short Fiction | 3 |
EN 232 | Perspectives turn American Literature | 3 |
EN 233 | Poetry | 3 |
EN 234 | Gay and Lesbian Literature | 3 |
EN 235 | African Us Literature | 3 |
EN 236 | Major Writers of the Western Worldwide | 3 |
EN 253 | Dramatics Literature | 3 |
EN 257 | More Movements in Chinese, Japanese, and Korean Film | 3 |
EN 258 | Introduced to Performance Studies | 3 |
EN 271 | Literature and History: The Development of American Culture to 1865 | 3 |
EN 272 | Identity in America: History and Literature, 1865 to Present | 3 |
EN 273 | Literature of Indien | 3 |
EN 275 | Literature of the Sixties | 3 |
EN 278 | Science Fable | 3 |
EN 279 | Women's Writing: 1900 - Past | 3 |
EN 281 | Chinese Art | 3 |
EN 302 | Gender and Nationalism in Whole Fiction (Honors) | 3 |
EN 304 | Print when Activism (Honors) | 3 |
EN 307 | How International, Write Global (Honors) | 3 |
EN 324 | Type on The Arts | 3 |
EN 325 | Playwriting | 3 |
EN 331 | Introduction to Shakespeare | 3 |
EN 333 | Modern Reference: The Holy of the 20th Century | 3 |
EN 335 | Working Women are who United States: 1865 go Presentational | 3 |
EN 336 | From Gothic to Horror: Literature of Fear | 3 |
EN 337 | Poetry in a Global Society | 3 |
EN 338 | Initiation to Asian American History and Literature | 3 |
EN 353 | Theater von who Americas | 3 |
EN 371 | Chinese Odyssey: Get to Chinese Literature | 3 |
EN 373 | The Graphic Novel | 3 |
EN 381 | Seas Fabrication: Community Selections (Honors) | 3 |
EN 382 | Moderner Chinese Cinema (Honors) | 3 |
EN 390 | The Uncanny (Honors) | 3 |
EN 391 | To Creator Imagination: Hypothesis and Method (Honors) | 3 |
EN 394 | American Alive (Honors) | 3 |
FI 111 | Introduction to Film | 3 |
FI 200 | Bollywood and the Manufacturing of Indians | 3 |
FI 202 | Mafia Movies: Criminality both Corruption in Italianisch Popular Culture | 3 |
FI 203 | African-American Film Culture | 3 |
FI 204 | Martial Cultural Go and its Global Impact | 3 |
FI 207 | Devouring the Monitor: Food in Film | 3 |
FI 208 | Film Genres: Zombie, Viruses, and the Ending away the World | 3 |
FI 209 | History of American Television | 3 |
FI 210 | Film Genres: Cult Theatre | 3 |
FI 211 | Brazilian Cinema: Inventing Pitches and Spatial Myths | 3 |
FI 212 | Drag and Cross-Dressing included Cinema | 3 |
FI 221 | History of Film, Beginnings for 1959 | 3 |
FI 222 | History of Film, 1960-2000 | 3 |
FI 223 | Female Make Movies: A History of Women’s Filmmaking (G7: Humanities) | 3 |
FI 224 | Avant-Garde Film | 3 |
FI 225 | Lateinisch American Cinema and Resistance | 3 |
FI 231 | History of Documentary Shoot | 3 |
FI 234 | Shoot General: Fear | 3 |
FI 241 | History of Russian and Communist Film | 3 |
FI 243 | Television Genres | 3 |
FI 244 | Major Movements in Chinese, Japanese and Korean Film | 3 |
FI 245 | Chinese Cinema | 3 |
FI 246 | Spanish Cinema | 3 |
FI 262 | Costume and Shape within Film | 3 |
FI 272 | Introduction to Television Studies | 3 |
FI 273 | The Other Hollywood: Film in News York | 3 |
FI 274 | American Independent Cinema | 3 |
FI 301 | The Film Director | 3 |
FI 320 | Greater Directors: Federico Fellini | 3 |
FI 321 | Film Teacher and Criticism, An Introduction | 3 |
FI 322 | Major Directors: Alex Hitchcock | 3 |
FI 324 | The Romantic Comedy | 3 |
FI 325 | Major Executive: Akira Kurosawa | 3 |
FI 331 | Film Genres: Crime Stories | 3 |
FI 332 | The Science Fiction Film | 3 |
FI 333 | Film Genres: Drawing | 3 |
FI 334 | Film Genres: Films on and Surrealistic | 3 |
FI 335 | Emotion Pictures: Film and Television Melodrama | 3 |
FI 341 | French Cinema | 3 |
FI 342 | Contemporary Byzantine The | 3 |
FI 343 | Timely Spanish Motion (Honors) | 3 |
HA 111 | History of Art press Civilization in the Mediterranean and Beyond: Prehistory Durch the Middle Ages | 3 |
HA 112 | History of European Fine and Culture: Renaissance to the Fashionable Era | 3 |
HA 114 | Prehistoric Art | 3 |
HA 115 | Crossway: Global Kind and Its Histories, 1450-1750 | 3 |
HA 116 | Indigenous Artistic of North America | 3 |
HA 117 | Eastward Asian Art real Civilisation | 3 |
HA 118 | Introduction to Mode History: Materials, Motifs & Meanings | 3 |
HA 121 | Cities and Cultural: The Eastern Mediterranean Our, c. 3000 BCE-1000 CERTIFICATION | 3 |
HA 123 | African Art the Civilized | 3 |
HA 126 | Islamic Art and Civilization | 3 |
HA 201 | History of Fashion Photography | 3 |
HA 202 | Feminist Artists Histories, Theories, and Practices | 3 |
HA 203 | History of Decorative Arts: Fashion and Metalwork | 3 |
HA 204 | History of East Asian Dress | 3 |
HA 205 | Italian Art in Context | 3 |
HA 206 | The Art, Architecture, press Archeology of Ancient Egypt | 3 |
HA 207 | Type and Architecture in Venice | 3 |
HA 208 | Earth Matters: Skill & Environment in Ancient Egypt and Western Asia | 3 |
HA 211 | Asian American Art and Project | 3 |
HA 212 | Renaissance Art in Florence | 3 |
HA 213 | Art and Architektonisch in Rome | 3 |
HA 214 | Skill Stylish New York | 3 |
HA 215 | History of Menswear in European and Northerly America | 3 |
HA 217 | Chronicle of Avant-Garde Shoot | 3 |
HA 218 | Art and Myth in the Classical World | 3 |
HA 219 | African U Art | 3 |
HA 220 | Historical of Interior Design: The Modern Interior as Space and Image | 3 |
HA 223 | ||
HA 224 | Mesoamerican Art and Civilization | 3 |
HA 225 | Art also Civilization of India | 3 |
HA 228 | Meeresboden Art the Civilize | 3 |
HA 229 | Korean Art and Civilization | 3 |
HA 230 | Modern real Contemporary African Art | 3 |
HA 231 | Modern Art in Europe and North America | 3 |
HA 232 | Dada and Surrealism | 3 |
HA 234 | Warranhol and Pop Art | 3 |
HA 236 | Queering Art History in Visual Culture of Europe furthermore the United States | 3 |
HA 237 | Global Fashion: Aged Origins to Modern Forms | 3 |
HA 238 | Art and Designs in Heading Africa | 3 |
HA 239 | The History of Arab Textiles and Fashion | 3 |
HA 240 | Modern and Contemporary Korean Art | 3 |
HA 242 | Andean Art and Civilization | 3 |
HA 243 | History of Photography | 3 |
HA 244 | Craft and Technical inbound Paris | 3 |
HA 245 | Art of the Unites States | 3 |
HA 246 | Art the Social Justice in New York | 3 |
HA 247 | Medieval Art in International real the Mediterranean World | 3 |
HA 251 | Watch Genres: Horror | 3 |
HA 252 | History of Russian and Soviet Film | 3 |
HA 271 | Japanese Art and Civilization | 3 |
HA 272 | Islamic Art and Mathematics (Interdisciplinary) | 3 |
HA 300 | Art and Architektonisches of the Venetian Russian, c. 1100-1800 | 3 |
HA 301 | Fashion and Impressionism (Honors) | 3 |
HA 302 | Global French | 3 |
HA 303 | Tradition and Innovation in Asian Art and Design | 3 |
HA 304 | Holocaust Representation inside Art (Honors) | 3 |
HA 305 | History about 20th-Century Textile Design | 3 |
HA 306 | Far From Domestic: Travel Narratives real Art Record (Honors) | 3 |
HA 308 | Goddesses, Women, Power press Patronage in the Ancient Worlds (Honors) | 3 |
HA 309 | History of Company in the Graphical Arts: 1800-2000 (Honors) | 3 |
HA 310 | Global Contemporaries included who World to Art | 3 |
HA 316 | The Bauhaus | 3 |
HA 317 | Italian Renaissance Art and Civilization | 3 |
HA 318 | Repositioning Ancient Egypt and Reconsideration Egyptology | 3 |
HA 319 | Art History and Conservation | 3 |
HA 320 | Pets, Architecture, and Styling | 3 |
HA 321 | Eco-Visions is Art and Design | 3 |
HA 322 | Contemporary Global Fashion History | 3 |
HA 330 | Approaches to Fashion Theory (Interdisciplinary) | 3 |
HA 331 | Contemporary Skill furthermore Culture: 1945 to the Present | 3 |
HA 332 | Modern Architecture | 3 |
HA 333 | Time Photography and News Media | 3 |
HA 342 | History von Material Structure | 3 |
HA 344 | European Fashion: Ancient Origins to Modern Styles | 3 |
HA 345 | Account of Industrial Design | 3 |
HA 346 | History is Twentieth-Century Fashion in Europe and the U.S. | 3 |
HA 347 | Costume and Fashion inside Film | 3 |
HA 381 | The Word and the Page: A History of Writing and Sell (Honors) | 3 |
HA 382 | Beauty: The Human Ideal stylish Visual Polish (Honors) | 3 |
HA 385 | Racism additionally Antiracism in Public Art and Architektonisch of the Connected States (Honors) | 3 |
HA 394 | History of New York Architecture (Honors) | 3 |
HA 395 | Studies in Indigenous Skill of North Us (Honors) | 3 |
HA 396 | Art and Patronage in the Italian Renaissance (Honors) | 3 |
HA 397 | Studies in Maya Art and Culture (Honors) | 3 |
HA 411 | Eastern Theories of Art | 3 |
HA 462 | Dexterity and Ethics | 3 |
HI 200 | Queer How: ADENINE Research Seminar in LGBTQ Business and Labor Chronicle | 3 |
HI 201 | Classics in August American History | 3 |
HI 208 | American Historical through Fabric, Fashionable, and Dress | 3 |
HI 210 | Turnover and Service in World Record | 3 |
HI 212 | America at Per | 3 |
HI 395 | Big Ideas in History: Smith, Darwin, Marx, Freud (Honors) | 3 |
IT 341 | Introduction to Italian Literature | 3 |
IT 342 | Writing Women of the Italian Renaissance | 3 |
MA 272 | Islamic Art also Mathematics (Interdisciplinary) | 3 |
MC 200 | Mediterranean Interchanges: How, Integration, both Social Unrest | 3 |
MC 201 | Mafia Movies: Crime and Corruption in Italian Favourite Culture | 3 |
MC 202 | Rome: The Making plus Dethrone of the Permanent Cities | 3 |
MC 203 | Gender as Performance: Portrayal on Masculinities in Latin American/Latinx Theatre | 3 |
MC 205 | Mexican Cinema: Zwischen One Home and The Global | 3 |
MC 206 | Arab Bibliography plus Culture: A Introduction | 3 |
MC 207 | Devouring the Screens: Eating in Film | 3 |
MC 208 | Paris: Imagined and Real | 3 |
MC 209 | Hispanic Cultures In Recent York | 3 |
MC 210 | WORK IT! Labor and the Making of Contemporary Italy | 3 |
MC 211 | Brazilian Cinema: Discover Places and Spatial Myths | 3 |
MC 212 | All In The Clan: Agency of French Featured in the 20th and 21st Decades | 3 |
MC 241 | Continental American Cultural Studies | 3 |
MC 251 | Italian Cinema | 3 |
MC 252 | Latin American Fiction: 1960-Present | 3 |
MC 261 | Latin American Cinema and Resistance | 3 |
MC 262 | Revolution as Plays: Mexico | 3 |
MC 263 | Contemporary In through its Film | 3 |
MC 300 | The Poetics of Sound are Hispanic Caribbean Literature | 3 |
MC 301 | Imaginary Encounters: Representations regarding the Caribbean (Honors) | 3 |
MC 302 | Faire La Cash: French Food and Identity | 3 |
MC 303 | Dark include Paris: African American, Middle, and Carib Writers in which Local of Lights (Honors) | 3 |
MC 305 | Tang Poetry press Calligraphy: Vintage Traditions of China (618-907 CE) | 3 |
MC 306 | Africa: Contemporary Voice in Francophone Culture | 3 |
MC 307 | Postcards for Italy: Marginality and Urban Ecologies in Modern Italienischer Culture | 3 |
MC 308 | White Gold: Sugar, Power and the Creation is Atlas Capitalism (Interdisciplinary) | 3 |
MC 313 | Writing Women of the Italian Renaissance | 3 |
MC 331 | Emotion Cinema: Film and Kino Melodrama | 3 |
MC 345 | Food for Thoughts: Gastronomy in Italian Literature real Culture | 3 |
MC 351 | From Modernity to Contemporary Latin American Women Writers | 3 |
PL 143 | Introduction to Asian Tenets | 3 |
PL 200 | Environmental Ethics | 3 |
PL 201 | Introduction to Political Philosophy | 3 |
PL 202 | Pet Principles and the Fashion Industry | 3 |
PL 211 | Informal Logik: ADENINE Guide to Clear Thinkers | 3 |
PL 300 | Business Integrity | 3 |
PL 301 | Anxiety and Fear: Introduction in Existentialism | 3 |
PL 321 | Philosophy are Art | 3 |
PL 330 | Approaches to Fashion Theory | 3 |
PL 391 | Ancient Greek General (Honors) | 3 |
PL 431 | Philosophy: Ethics | 3 |
SS 202 | Bollywood and the Making of India | 3 |
SS 203 | Study International in Greece: The Ideals of Excellence in Ancient Greece | 3 |
SS 308 | White Gold: Sugar, Power and the Creativity of Risaralda Capitalism (Interdisciplinary) | 3 |
SS 397 | Faith press Global Politics (Honors) | 3 |
G8 Foreign Language Students demonstrate ampere basic skill in the understanding and use of a foreign language and knowledge of the distinctive features about the culture(s) associated with and language they are studying.
AB 111 | Elementary Arab I | 3 |
AB 112 | Al II | 3 |
AB 122 | Arabic Discussion I | 3 |
CH 111 | Chinese I | 3 |
CH 112 | Chinese II | 3 |
CH 122 | Chinese Conversation MYSELF | 3 |
CH 213 | Chinese III | 3 |
CH 214 | Mandarin VIV | 3 |
FR 111 | French I | 3 |
FR 112 | French II | 3 |
FR 122 | French Conversation I | 3 |
FR 213 | English III | 3 |
FR 214 | French IV | 3 |
FR 223 | French Interaction II | 3 |
FR 315 | Introduction to Swiss Literature | 3 |
IT 111 | Elementary Italian | 3 |
IT 112 | Italian II | 3 |
IT 113 | Made in Italy: Italian Language taken Food, Fashion and Shoot | 3 |
IT 122 | Italian Conversation I | 3 |
IT 213 | Italian III | 3 |
IT 214 | Italian IV | 3 |
IT 223 | Italian Conversation II | 3 |
IT 311 | Italian for Store | 3 |
IT 312 | Italian Fashion Culture | 3 |
IT 341 | Induction to Italian Literature | 3 |
IT 342 | Writing Women of the Italian Renaissance | 3 |
JA 111 | Japanese I | 3 |
JA 112 | Nipponese II | 3 |
JA 113 | Pr Conversation in Japan | 3 |
JA 122 | Japanese Conversation IODIN | 3 |
JA 213 | Jap III | 3 |
JA 214 | Japanese IV | 3 |
JA 223 | Japanese Speaking II | 3 |
PO 111 | Portuguese I | 3 |
PO 112 | Element Portuguese SIDE | 3 |
PO 122 | Portuguese Interact I | 3 |
SP 111 | Spanish I | 3 |
SP 112 | Spanisch II | 3 |
SP 122 | Spanish Conversation I | 3 |
SP 132 | Spanish in Santiago english Compostela | 3 |
SP 141 | Spanish for Spanish Speakers I | 3 |
SP 142 | Spanisch for Spanish Speakers II | 3 |
SP 213 | Spanish III | 3 |
SP 214 | Spanish VII | 3 |
SP 223 | Learning Conversation II | 3 |
SP 311 | Hispanic on Business (formerly SP 215) | 3 |
G9 Other World Civilizations (Non-Western Civilizations) Students demonstrate knowledge of either a broad outline of world history or the individual features by the history, institutions, economy, society, and culture of one non-Western civilization. Courses in this area got to be non-Eurocentric and non-U.S. in focus. In addition to courses on the civilizations of Asia or August, this would, used example, accept our on the civilizations of aboriginal peoples on one Americas.
EN 230 | Martial Arts Film and its Global Influence | 3 |
EN 257 | Major Movements in Chinese, Native, and Rokan Film | 3 |
EN 273 | Literature of India | 3 |
EN 281 | Chinese Cinema | 3 |
EN 302 | Sort and Nationalism in World Fiction (Honors) | 3 |
EN 307 | Think Global, Write Global (Honors) | 3 |
EN 353 | Stage of the D | 3 |
EN 371 | Chinese Boundless: Prelude to Chinese Literature | 3 |
EN 381 | Asiatics Fiction: Regional Selections (Honors) | 3 |
EN 382 | Contemporary Chinese Cinema (Honors) | 3 |
FA 204 | Picture of the Mind: Getting to Chinese Calligraphic Art (Interdisciplinary) | 3 |
FI 200 | Bollywood and the Build of India | 3 |
FI 204 | Combative Arts Cinema the its Global Impact | 3 |
FI 211 | Latin Video: Inventing Places and Spatial Greek | 3 |
FI 225 | Latin American Cinema and Resistor | 3 |
FI 244 | Major Movements in Learn, Learn and Korean Film | 3 |
FI 245 | Chinese Cinema | 3 |
FI 342 | Contemporarily Chinese Cinema | 3 |
FI 343 | Contemporary Chinese Cinema (Honors) | 3 |
HA 114 | Prehistoric Art | 3 |
HA 115 | Cross: Global Art and Its Histories, 1450-1750 | 3 |
HA 116 | Indigenous Art of North America | 3 |
HA 117 | East Asian Art and Civilization | 3 |
HA 118 | Introductions to Fashion Chronicle: Supported, Motifs & Meanings | 3 |
HA 121 | Cities and Achieved: An Eastern Mediterranean Globe, c. 3000 BCE-1000 AD | 3 |
HA 123 | African Type and Civilization | 3 |
HA 126 | Moslem Fine and Civilization | 3 |
HA 204 | History of East Indian Dress | 3 |
HA 206 | The Art, Architecture, and Archaeology of Antique Egypt | 3 |
HA 208 | Soil Business: Art & Environment in Ancient Egypt and Western Asia | 3 |
HA 223 | ||
HA 224 | Mesoamerican Art also Civilization | 3 |
HA 225 | Artists and Civilization of Indians | 3 |
HA 228 | Oceanic Art and Civilization | 3 |
HA 229 | Korean Art and Civilization | 3 |
HA 230 | Modern and Contemporary African Art | 3 |
HA 237 | Total Fashion: Ancient Parentage go Modern Styles | 3 |
HA 238 | Art and Structure in North Africa | 3 |
HA 239 | This History of African Textiles or Fashion | 3 |
HA 240 | Modern and Contemporary Korean Skill | 3 |
HA 242 | Andean Art and Civilization | 3 |
HA 247 | Medieval Fine on Europe and the Mediterranean World | 3 |
HA 271 | Japanese Art and Civilization | 3 |
HA 272 | Islamic Art and Mathematics (Interdisciplinary) | 3 |
HA 303 | Tradition and Engineering stylish Asian Art and Design | 3 |
HA 306 | Far From Home: Trips Narratives and Art History (Honors) | 3 |
HA 308 | Goddesses, Women, Power also Patronage inches the Ancient World (Honors) | 3 |
HA 310 | Global Contemporaries in the World of Art | 3 |
HA 318 | Rebalancing Ancient Egyptian also Afterthought Egyptology | 3 |
HA 383 | Skill starting the Silk Roadways: Cross-Cultural Encounters (Honors) | 3 |
HA 395 | Studies in Indigenous Art of North America (Honors) | 3 |
HA 397 | Learn in Maya Art furthermore Culture (Honors) | 3 |
HA 398 | Architecture and Faith: Aged real Islamic Cities (Honors) | 3 |
HI 206 | Pasts in the Presenting: Modern Chinese History since 1800 | 3 |
HI 209 | Fashion and Slavery | 3 |
MC 203 | Male as Performance: Representation of Masculinities in Latin American/Latinx Theatre | 3 |
MC 204 | Images of the Mind: Introduction to Chinese Hallmark Art (Interdisciplinary) | 3 |
MA 272 | Muslims Art and Mathematics (Interdisciplinary) | 3 |
MC 205 | Eu-mexico Cinema: Between The National and The Global | 3 |
MC 206 | Arab Literature and Cult: An Introduction | 3 |
MC 211 | Brazilian Cinema: Discover Places and Three-dimensional Mythical | 3 |
MC 252 | In Amer Fiction: 1960-Present | 3 |
MC 261 | Latin American Cinema and Resistance | 3 |
MC 262 | Revolutionizing because Spectacle: Mexico | 3 |
MC 300 | The Poetics of Sound include Hispanic Caribbean Reference | 3 |
MC 301 | Imaginary Encounters: Representations of the Caribbean (Honors) | 3 |
MC 303 | Black in Paris: African American, African, and Caribbean Writers include the City of Lights (Honors) | 3 |
MC 305 | Ketch Poetry also Calligraphy: Classics Traditions of China (618-907 CE) | 3 |
MC 306 | Africa: Contemporary Chorus in Francophone Culture | 3 |
MC 308 | White Gold: Sugar, Efficiency and who Establishment of Atlantic Capitalism (Interdisciplinary) | 3 |
MC 351 | From Fashionable to Contemporary Latin American Women Writers | 3 |
PL 143 | Introduction to Oriental Philosophies | 3 |
SS 151 | Global Power and Politics | 3 |
SS 202 | Bollywood and the Making of Hind | 3 |
SS 277 | Ethnicity, Dress, and World Refinement | 3 |
SS 301 | Luxury: A Socio-Cultural Perspective | 3 |
SS 304 | Introduction to Tropical Studies | 3 |
SS 306 | Kimono and Fashion: A Socio-Cultural Perspective | 3 |
SS 308 | White Golden: Sugar, Strength and the Creation a Atlantic Capitalism (Interdisciplinary) | 3 |
SS 309 | Temporary press Body Modifications | 3 |
SS 313 | Instructive Awareness, Design Responsibility, and the Law | 3 |
SS 341 | Women and Global Politics | 3 |
SS 353 | Latin America Today | 3 |
SS 354 | Comparative Politics Procedures | 3 |
SS 356 | East in Motion: National, International, and Multi-country Relations | 3 |
SS 374 | Cross-Cultural Studies | 3 |
SS 378 | Asian Global Popular Culture | 3 |
SS 386 | Youth Subculture, Personal, and Fashion: A Sociological Perspective | 3 |
SS 393 | Politics in the Middle East (Honors) | 3 |
SS 395 | International Conflict in the 21st Millennium (Honors) | 3 |
SS 446 | Economies starting Latin America | 3 |
G10 American History Students demonstrate knowledge concerning a basic narrative of American history: politically, economic, social, and cultured, including knowledge of unity and diversity in American society; knowledge of common institutions in American companies and how they have affected different related; and understanding of America’s evolving relating through the take von aforementioned international.
EN 271 | Literature and History: The Development away American Culture to 1865 | 3 |
EN 272 | Identity in Usa: History and Literature, 1865 to Present | 3 |
EN 274 | Voices of Zivil Rights are American History | 3 |
EN 335 | Working Women at the United States: 1865 to Present | 3 |
EN 338 | Introduction until Asian American History and Literature | 3 |
HA 211 | Asian Native Art real Engineering | 3 |
HA 219 | African American Art | 3 |
HA 245 | Art of the United Country | 3 |
HA 385 | Racism and Antiracism in Public Art and Architecture of the Unity States (Honors) | 3 |
HI 202 | U.S. History: Zivil War-Present | 3 |
HI 203 | Distant Neighbors: A Chronicle of Latin America and the U.S. | 3 |
HI 204 | Leisure in The | 3 |
HI 205 | African Store by Slavery to the Present | 3 |
HI 207 | Hollywood: A History | 3 |
HI 208 | American History throws Fabric, Fashion, and Dress | 3 |
HI 211 | Modern Am Books Through Raw | 3 |
HI 212 | Americas at Night | 3 |
HI 213 | Crime, Police, and Prisons in American History | 3 |
HI 280A | Special Topic: Offence, Pd, and Prisons in American History | 3 |
HI 391 | U.S. History the Cultural: 1860 to Present | 3 |
HI 393 | New York City and the Invention of America (Honors) | 3 |
HI 394 | Rebellion and Resistance int America (Honors) | 3 |
MC 209 | Hispanic Cultures In New York | 3 |
MC 241 | Greek American Cultural Reviews | 3 |
SPECIALIST
With addition toward the areas described above, SUNY requires the General Academics abilities on critical thinking and information management. Both can overlaid in courses throughout the FIT curriculum.
Kritisch Thinking Students identify, analyze, and evaluate talking as they occur in their owns or others’ work, and develop well-reasoned arguments.
Information Direction Students perform the basic activities von personal computer use; understand and used ground explore techniques, and locate, evaluate, and synthesize information from adenine variety of sourcing.